How is it possible that works of art exist? How do we become receptive aesthetic subjects? The Specificity of the Aesthetic extends these fundamental ontological and phenomenological questions around which Georg Lukács’s theory of art was organised. This late work of aesthetics seeks to solve a puzzle that neither philosophy nor socialist politics was able to: the fundamental e...(展开全部)

In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius. 戈达德的著作自1951年问世以来即被奉为莎士比亚研究经典，历来受到莎学专家顶礼膜拜，至今其魅力不减。

In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius. 戈达德的著作自1951年问世以来即被奉为莎士比亚研究经典，历来受到莎学专家顶礼膜拜，至今其魅力不减。

The Ideology of the Aesthetic presents a history and critique of the concept of the aesthetic throughout modern Western thought. As such, this is a critical survey of modern Western philosophy, focusing in particular on the complex relations between aesthetics, ethics and politics. Eagleton provides a brilliant and challenging introduction to these concerns, as characterized in...(展开全部)

The Ideology of the Aesthetic presents a history and critique of the concept of the aesthetic throughout modern Western thought. As such, this is a critical survey of modern Western philosophy, focusing in particular on the complex relations between aesthetics, ethics and politics. Eagleton provides a brilliant and challenging introduction to these concerns, as characterized in...(展开全部)

A classic of 18th-century thought, Schiller's treatise on the role of art in society ranks among German philosophy's most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society -- and of the French Revolution, in particular -- to define the relationship between beauty and art.

A classic of 18th-century thought, Schiller's treatise on the role of art in society ranks among German philosophy's most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society -- and of the French Revolution, in particular -- to define the relationship between beauty and art.

The classical historian Theodor Mommsen (1817-1903) published his History of Rome between 1854 and 1856. His work was received with widespread acclaim by the scholarly community and the reading public. In 1902, in recognition of this monumental work, Mommsen was awarded the Nobel Prize for Literature and acclaimed as 'the greatest living master of the art of historical writing'...(展开全部)

杜夫海纳（Mikel Dufrenne,1910—1995） 法国美学家，现象学美学的主要代表之一。毕业于巴黎高等师范学校，曾任普瓦提埃、巴黎等大学教授。后为法国《美学评论》杂志社社长。主要著作有《审美经验现象学》（1953）、《诗学》（1963）、《为了人类》（1968）、《美学与哲学》（2卷，1967—1976）等。